Runway

Valentino Fall/Winter 2018-2019 Ready-to-Wear

01 of 68
02 of 68
03 of 68
04 of 68
05 of 68
06 of 68
07 of 68
08 of 68
09 of 68
10 of 68
11 of 68
12 of 68
13 of 68
14 of 68
15 of 68
16 of 68
17 of 68
18 of 68
19 of 68
20 of 68
21 of 68
22 of 68
23 of 68
24 of 68
25 of 68
26 of 68
27 of 68
28 of 68
29 of 68
30 of 68
31 of 68
32 of 68
33 of 68
34 of 68
35 of 68
36 of 68
37 of 68
38 of 68
39 of 68
40 of 68
41 of 68
42 of 68
43 of 68
44 of 68
45 of 68
46 of 68
47 of 68
48 of 68
49 of 68
50 of 68
51 of 68
52 of 68
53 of 68
54 of 68
55 of 68
56 of 68
57 of 68
58 of 68
59 of 68
60 of 68
61 of 68
62 of 68
63 of 68
64 of 68
65 of 68
66 of 68
67 of 68
68 of 68

“Romanticism is strength”, that was the underlying mood that Pierpaolo Piccioli infused into his Valentino collection this afternoon in Paris. Imagine watching a wintry garden in full bloom unfold, not hard for the guests who were seated in the vast glassed atrium that formed the show space. Not hard too for the clothes that morphed from a black and white colour palette into those Valentino reds, emerald greens, wintry mustards, embroidered blush tones and hot pinks. Flower motifs were “enlarged as exclamations”. The poppy was reimagined in an oversized print on a little floaty capelet or splashed across dresses. Kaia Gerber modelled a multi-coloured floral fluted sleeve dress. There was something of the Jane Austen literary heroines in the fluid volume of the looks: the strapless empire line gowns and the dramatically hooded capes. “This one is about Romanticism” Pierpaolo said backstage. You couldn’t get any more romantic than this.

 

Natalie Théo